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His Scottish-accented smoldering is fine for the largely B-grade action film resume he’s put together, but the actor puts forth more strain on his singing voice than in his character’s tortured soul. The Phantom must be an unforgettable presence, always on the audience’s mind even when he’s not in the action, but Butler is not particularly sinister or suave. Given the lack of towering presence from Butler, Schumacher should have forced the camera on these two as much as he could. Schumacher frequently cuts away for reaction shots from Raoul, Christine’s suitor, supporting characters or company dancers.

In an auditorium, our gaze would be cast solely on the Phantom as he worms his way into Christine’s brain with wooing vocals. There is an almost fatal lack of heat between the Phantom (Gerard Butler) and young singer Christine (Emmy Rossum) - although there is lots of humidity, given how her hair frizzes out when he sings to her. Visuals alone make the film entertaining, but Schumacher is unable to cast the same sort of seductive spell that theatrical productions of Phantom have woven for years. And the film’s homicidal grotesqueries, held over from Gaston Leroux’s source story, carry a memorable chill. In what could easily have been another camped-up calamity, he thankfully lets the astounding elegance of his production team’s accomplishments wash over. Now in its 30th record-breaking year, The Phantom of the Opera continues to captivate audiences at Her Majesty’s Theatre in London’s West End, after more than 11,000 performances.Īndrew Lloyd Webber’s mesmerizing score along with jaw-dropping scenery and breathtaking special effects, magically combine to bring this tragic love story to life each night.A troubling obstacle for any musical-to-movie transplant, let alone one as lavish and lauded as Andrew Lloyd Webber’s production of The Phantom of the Opera, is if audience immersion takes hold on screen as it would on stage.ĭirector Joel Schumacher is a filmmaker traditionally known for a splashy style that stains much of his material. The musical opened at Her Majesty’s Theatre on 9 October 1986 with Michael Crawford and Sarah Brightman in the leading roles, and there have been dozens of productions worldwide since then. Shamed by his physical appearance and feared by all, the love he holds for his beautiful protégée Christine Daaé is so strong that even her heart cannot resist. Presenting The Phantom of the Opera, the smash hit musical by Andrew Lloyd Webber!Įxperience the power of the phantom with your nearest performance:įar beneath the majesty and splendour of the Paris Opera House, hides the Phantom in a shadowy existence.